Medieval philosophy is a mine in which the fundamental concepts and bodies of knowledge that have shaped Western civilization are preserved. Too often, however, the study of its works has been reduced to a series of empty and sterile technicalities that distance readers from any genuine intellectual curiosity. For this reason, the book retraces the fascinating development of medieval thought through the lives and works of both well-known and lesser-known authors, with particular attention to the so-called “heretics” (such as Abelard, the Averroists and the Ockhamists, and Pietro d’Abano), in order to show that the commonplace view of the Middle Ages as merely theological is, at the very least, reductive and limiting. Within this perspective, space is also devoted to medieval Japan and to two great innovators of the Buddhist tradition: Dōgen and Nichiren. Following the example of Onfray, the essay will open with compelling life stories, inseparably intertwined with the works that have preserved their memory through the centuries. Particularly engaging is the section “Medieval Philosophy and Cinema,” curated by Dr. Marco Palladino. The volume will be introduced by an interview with Professor Donato Verardi, Associate Professor of Medieval Philosophy.
La filosofia medievale è una miniera in cui sono custoditi i concetti e i saperi fondamentali che hanno plasmato la civiltà occidentale. Troppe volte, tuttavia, lo studio delle sue opere è stato ridotto a una serie di vuoti e sterili tecnicismi, che allontanano i lettori da ogni curiosità intellettuale. Il libro, proprio per questo, ripercorre l’affascinante vicenda del pensiero medievale attraverso la biografia e la produzione degli autori più noti e meno noti, con una particolare attenzione per i cosiddetti “eretici” (come Abelardo e gli averroisti e gli occamisti, Pietro d’Abano), con il fine di mostrare come il luogo comune di un Medioevo solo teologico sia quantomeno riduttivo e limitante. In questa prospettiva si colloca anche lo spazio riservato al Giappone medievale e alle figure di due grandi innovatori della tradizione buddhista: Dōgen e Nichiren. Il saggio sarà introdotto, sulla scia di Onfray, da storie di vita appassionanti, intrecciate indissolubilmente alle opere che ne hanno segnato la memoria nei secoli. Particolarmente affascinante la sezione “Filosofia medievale e cinema” curata dal dottor Marco Palladino. Il testo sarà introdotto dall’intervista al professore Donato Verardi, professore associato di Filosofia medievale.
Filosofia medievale. Storie, opere e concetti / Vitale, Pasquale. - (2023).
Filosofia medievale. Storie, opere e concetti
Pasquale Vitale
2023-01-01
Abstract
Medieval philosophy is a mine in which the fundamental concepts and bodies of knowledge that have shaped Western civilization are preserved. Too often, however, the study of its works has been reduced to a series of empty and sterile technicalities that distance readers from any genuine intellectual curiosity. For this reason, the book retraces the fascinating development of medieval thought through the lives and works of both well-known and lesser-known authors, with particular attention to the so-called “heretics” (such as Abelard, the Averroists and the Ockhamists, and Pietro d’Abano), in order to show that the commonplace view of the Middle Ages as merely theological is, at the very least, reductive and limiting. Within this perspective, space is also devoted to medieval Japan and to two great innovators of the Buddhist tradition: Dōgen and Nichiren. Following the example of Onfray, the essay will open with compelling life stories, inseparably intertwined with the works that have preserved their memory through the centuries. Particularly engaging is the section “Medieval Philosophy and Cinema,” curated by Dr. Marco Palladino. The volume will be introduced by an interview with Professor Donato Verardi, Associate Professor of Medieval Philosophy.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


