Digital media and streaming platforms have reshaped debates around authorship and intermedial adaptation, increasingly linking adaptation to the creation of story worlds and brand identities across media. Within this context, Tim Burton’s personal revival of The Addams Family (1964, David Levy) in Netflix’s Wednesday offers a distinctive case of recognizable authorship operating within the collaborative and commercially driven framework of Netflix production. This study examines the stylistic and thematic motifs shaping Burton’s authorial voice in the first four episodes of Wednesday Season 1. Combining linguistic and film studies perspectives, it shows how narrative world and character arcs, tone, and genre conventions connect Burton’s recurring outcasts with Netflix’s contemporary anti-heroines, and how his directorial and executive-production choices interact with the screenwriters’ vision, making Wednesday both a compelling expression of his authorial voice and a successful Netflix product.
Tracing Tim Burton’s Authorial Voice in Netflix’s Wednesday: A Case Study into Season 1 / Freddi, M., Trucco, S.. - (2026).
Tracing Tim Burton’s Authorial Voice in Netflix’s Wednesday: A Case Study into Season 1
Maria Freddi
;
2026-01-01
Abstract
Digital media and streaming platforms have reshaped debates around authorship and intermedial adaptation, increasingly linking adaptation to the creation of story worlds and brand identities across media. Within this context, Tim Burton’s personal revival of The Addams Family (1964, David Levy) in Netflix’s Wednesday offers a distinctive case of recognizable authorship operating within the collaborative and commercially driven framework of Netflix production. This study examines the stylistic and thematic motifs shaping Burton’s authorial voice in the first four episodes of Wednesday Season 1. Combining linguistic and film studies perspectives, it shows how narrative world and character arcs, tone, and genre conventions connect Burton’s recurring outcasts with Netflix’s contemporary anti-heroines, and how his directorial and executive-production choices interact with the screenwriters’ vision, making Wednesday both a compelling expression of his authorial voice and a successful Netflix product.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


