This contribution proposes a criminological perspective on the phenomenon of art destruction carried out by Isis: a “scorched earth” operation which has interested many areas of Syria, Iran and Libya with the purpose of annihilating the local feeling of belonging and the collective memory. In particular the article considers the damage inflicted by this kind of behavior which destroys unique and inimitable masterpieces and also damages the whole community, just as it happens in environmental crimes. Finally, starting from the assumption that, in spite of their seriousness, this kind of crimes causes a limited social reaction, attention is focused on the extent of the damages considered; their irreparability means that we are all deprived of the possibility of experiencing that which represents our history and our past.
Art as a victim: The isis’s attacks
Travaini G.;
2019-01-01
Abstract
This contribution proposes a criminological perspective on the phenomenon of art destruction carried out by Isis: a “scorched earth” operation which has interested many areas of Syria, Iran and Libya with the purpose of annihilating the local feeling of belonging and the collective memory. In particular the article considers the damage inflicted by this kind of behavior which destroys unique and inimitable masterpieces and also damages the whole community, just as it happens in environmental crimes. Finally, starting from the assumption that, in spite of their seriousness, this kind of crimes causes a limited social reaction, attention is focused on the extent of the damages considered; their irreparability means that we are all deprived of the possibility of experiencing that which represents our history and our past.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
