The aim of this contribution is to investigate the relationship between the gazes of Bergman’s Persona, through a possible Sartrean interpretation, as well as the relationship that these gazes weave with the cinema screen. It will be seen that this screen is both a device of visibility and a material barrier, referring to the separation between mother and child that lies at the centre of the film. What does the non- recognition of the two protagonists tell us about existence and the possibilities of cinematic representation?
Sguardo/schermo. La malafede dei volti in Persona / Russo, Maria. - In: PHILM. - ISSN 2974-6442. - Sulla materia oscura dello sguardo:(2023), pp. 181-191.
Sguardo/schermo. La malafede dei volti in Persona
Maria Russo
2023-01-01
Abstract
The aim of this contribution is to investigate the relationship between the gazes of Bergman’s Persona, through a possible Sartrean interpretation, as well as the relationship that these gazes weave with the cinema screen. It will be seen that this screen is both a device of visibility and a material barrier, referring to the separation between mother and child that lies at the centre of the film. What does the non- recognition of the two protagonists tell us about existence and the possibilities of cinematic representation?| File | Dimensione | Formato | |
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