The essay explores how Kracauer’s figures and gestures configure cinema as a device for enhanced vision. In the image, the world can be “seen for the first time”: what everyday life and history left unnoticed emerges through a reorganization of perception. Cinema thus affirms itself as a site where seeing becomes both knowledge and reinvention of the world.
Il cinema come scoperta del mondo. Kracauer e l'estetica del reale / Russo, Maria. - In: PHILM. - ISSN 2974-6442. - 4:(2025), pp. 175-192.
Il cinema come scoperta del mondo. Kracauer e l'estetica del reale
Maria Russo
2025-01-01
Abstract
The essay explores how Kracauer’s figures and gestures configure cinema as a device for enhanced vision. In the image, the world can be “seen for the first time”: what everyday life and history left unnoticed emerges through a reorganization of perception. Cinema thus affirms itself as a site where seeing becomes both knowledge and reinvention of the world.File in questo prodotto:
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