In this paper, I offer a phenomenological analysis of the scandalized body through the case of Michael Jackson, understood as a body persistently exposed to public scrutiny, objectification, and media qualification. Drawing on Jackson's life history, I examine how dermatological conditions, media sensationalism, and the accusations reshaped the lived experience of embodiment, producing a tension between the lived body (Leib) and the object body (Körper). My analysis brackets normative judgments to investigate the experiential structure of corporeality under constant public exposure. Finally, I argue that dance functioned as a form of bodily reappropriation, allowing the objectified body to be reconstituted as a lived, expressive, and meaningful body. The case of Jackson provides a phenomenological framework for understanding contemporary forms of hypervisibility, from celebrity culture to social media, in which continuous exposure transforms the experience of one's own body.

"If you wanna make the world a better place, take a look at yourself". Michael Jackson: corpo, scandalo e riappropriazione / Santamato, S.. - In: SCENARI. - ISSN 2385-1139. - (2026).

"If you wanna make the world a better place, take a look at yourself". Michael Jackson: corpo, scandalo e riappropriazione

Simone Santamato
2026-01-01

Abstract

In this paper, I offer a phenomenological analysis of the scandalized body through the case of Michael Jackson, understood as a body persistently exposed to public scrutiny, objectification, and media qualification. Drawing on Jackson's life history, I examine how dermatological conditions, media sensationalism, and the accusations reshaped the lived experience of embodiment, producing a tension between the lived body (Leib) and the object body (Körper). My analysis brackets normative judgments to investigate the experiential structure of corporeality under constant public exposure. Finally, I argue that dance functioned as a form of bodily reappropriation, allowing the objectified body to be reconstituted as a lived, expressive, and meaningful body. The case of Jackson provides a phenomenological framework for understanding contemporary forms of hypervisibility, from celebrity culture to social media, in which continuous exposure transforms the experience of one's own body.
2026
Michael Jackson, phenomenology, The Look, dance, music
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11768/205296
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