The reflective judgement, as it is theorized by Kant in the Critique of judgement, is seen by Hegel as the place in which the abstract contrast between reality and concept, between particular and universal, is overcome, ghus anticipating - according to Hegel himself - the notion of Aufhebung.

Tramonto dell’imitazione e filosofia dell’arte nella Vorlesungsmitschrift di Adolf Heimann / Valagussa, Francesco. - In: STUDI DI ESTETICA. - ISSN 0585-4733. - XLVIII:1(2020), pp. 69-81.

Tramonto dell’imitazione e filosofia dell’arte nella Vorlesungsmitschrift di Adolf Heimann

Francesco Valagussa
2020-01-01

Abstract

The reflective judgement, as it is theorized by Kant in the Critique of judgement, is seen by Hegel as the place in which the abstract contrast between reality and concept, between particular and universal, is overcome, ghus anticipating - according to Hegel himself - the notion of Aufhebung.
2020
imitation, Philosophy of Art, Hegel's Aesthetics
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11768/100169
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